MAGIC! - 10 


The following was compiled from the magician's message section of 
MAGIC!(tm).  MAGIC! was an electronic communications system for
magicians.  Access was free, except for normal telephone company
charges.  New registrants were required to leave a comment with
their name, address, phone number and a brief resume of their magic
background to be considered for membership.  The material herein
should be treated as confidentially as other magic information.
Copyright 1991, 1997 by MAGIC!, All rights reserved.

[NOTE: In message #4841 Arnaud VanRietschoten used a special technique
to insert graphics characters.  When originally presented on MAGIC!
these characters did not appear if the MAGIC! member's profile did not
permit graphics.  Only when the member changed the profile did the
message appear.  In this file we have included a simulation of the
graphics characters that were placed between the stars.  Some programs,
such as word processors, which individuals may use to read this file
may not display these characters properly.  No damage will result from
viewing this message, but the characters may not appear, or they may
appear as standard ASCII characters rather than as originally intended.]


Msg #4500  Dated  0:41:27  12-31-90  -> 4511
From: DAVID LICHTMAN (Sysop)
To:   WAYNE POWERS (X)
Re:   RISING CARDS UH HUH

Yeah, but Devil puts the handle on the front of the deck.  A kinda cute
idea.  Pete has the gimmick inside the deck and the audience isn't
interested in it.

Msg #4501  Dated  0:43:19  12-31-90  -> 4540
From: DAVID LICHTMAN (Sysop)
To:   STEVE KUCERA (X)
Re:   HEY THERE Y'ALL

Welcome back, Steve.  Sorry to hear of your friend's passing.  Really
good Copperfield review.  And the mini-bottle idea is GREAT!  And you
mentioned the non-alchoholic variants - in toy stores you can sometimes
find mini-Coke and Pepsi bottles, so it should work.  Haven't heard
from our history experts yet, but I think this one is probably original
with you.  Congrats!

Msg #4504  Dated  0:51:40  12-31-90
From: MARK LODGE
To:   DARRELL MURPHY (X)
Re:   MAGIC! BBS LUNCHEON

COUNT ME IN. I CAN ALSO HELP WITH GETTING NON-MEMBERS IN AND OPENING
THE PUB FOR OUR USE. MICHAEL FLEMMING HANDLES ALL THE BOOKINGS AND IS
VERY HELPFULL IN MAKING ARRANGEMENTS. IF YOU NEED ANY ASSISTANCE OR
INFORMATION FEEL FREE TO CALL ME. (213) 839-5864

Msg #4505  Dated  1:00:41  12-31-90  -> 4506
From: MARK LODGE
To:   DAVID LICHTMAN (SYSOP)
Re:   HAPPY HOLIDAZE

ALTHOUGH MY USE HAS BEEN LIMITED, I APPRECIATE THIS SERVICE. I HAVE
FOUND GREAT INFORMATION AND IDEAS. THANK YOU. HAVE A WONDERFUL NEW
YEAR.

Msg #4506  Dated  1:56:49  12-31-90  4505 <--> 4513
From: DAVID LICHTMAN (Sysop)
To:   MARK LODGE (X)
Re:   HAPPY HOLIDAZE

May you and yours have a wonderful 1991 as well.

Msg #4507  Dated  4:55:07  12-31-90
From: RANDY LUND
To:   TABBY CRABB (X)
Re:   SAND BRAN

Abbotts told me that OOM is still available but that the liquid Cremora
or other non dairy coffee creamer is the same stuff, won't film up
things like milk pitchers and is far cheaper.  Thanks for the comments
Randy

Msg #4508  Dated  7:32:08  12-31-90
From: CHARLIE RANDALL
To:   ALL
Re:   NEW YEAR

     Happy New Year everyone!!!!!

Msg #4509  Dated  7:54:00  12-31-90  -> 4514
From: TABBY CRABB
To:   ALL
Re:   ONE MORE THING

        Just a note, I must regress,
        Does anyone remember Abbot's address,


Msg #4510  Dated  7:54:23  12-31-90  -> 4515
From: TABBY CRABB
To:   ALL
Re:   U.S.O.

        I don't know if this'll help anybody, but this morning I
was thinking about the (maybe) coming war in the ME and flashed
back to Vietnam.
        I was there in 1971 and 72, not as a soldier, but as an
entertainer for the U.S.O. Was in fact, the last show to tour the
combat zone and almost got trapped when the US turned everything
over to the RVN just barely making it out on a US transport to
Bangkok...anyway thatz another story, but here's the POINT>
        If we do have another conflict and its a drawn out
affair, this will create "opportunity" for patriotic minded
entertainers to tour the area.
        In Viet, they wanted "girls, girls, girls" so I took one,
but thisun will be different. The work is hard and you live in
the same conditions as the people you perform for, etc, etc, but
can be very rewarding in the personal sense....not to mention
that the pay is pretty good plus its all expenses paid.
        If you're interested in this sorta thing I suggest you
contact the U.S.O. (its beena while so call either 212 infor or
202 information for the number) and request information on how to
get involved.
        You've gotta have a pro act, photos, press clippings,
etc, but I'm sure that goes without saying. Let me know how it
works out if you give it a try, plus; you'll never play for a
more appreciative audience!
                                        tabman


Msg #4511  Dated  8:45:32  12-31-90  4500 <--> 4519
From: PETE BIRO
To:   DAVID LICHTMAN (SYSOP)
Re:   RISING CARDS UH HUH

Acatually I switch pencils at the finish for one that will write so I
can handle all the requests for autographs.

Msg #4513  Dated  8:46:54  12-31-90  4505 <--> 4558
From: PETE BIRO
To:   MARK LODGE (X)
Re:   HAPPY HOLIDAZE

Mark, not to be critical but all caps is hard to read and sounds like
shouting. (I used to get chewed out for doing that on compuserve by one
of the sysops). Happy New year and welcome to MOJO land! Or, the 24
hour a day 365 day magic convention.

Msg #4514  Dated  8:48:19  12-31-90  4509 <--> 4588
From: PETE BIRO
To:   TABBY CRABB (X)
Re:   ONE MORE THING

They moved.

Msg #4515  Dated  8:49:01  12-31-90  4510 <-
From: PETE BIRO
To:   TABBY CRABB (X)
Re:   U.S.O.

My pal Jay Leno went over and wanted NO PUBLICITY (he did not TV
special, etc.) Also I noted that because of the sacred sand, HOPE was
not allowed to bring ladies for the shows. I used to do tons of shows
in the military off the back of 2 1/2 ton trucks, etc. etc. We had a
two man (for awhile the driver was a great tap dancer but left) show
with a driver. The "other" act was Charles Dauber a three ime winner of
the Horace Heidt Amateur Hour (a killer accordian player) and I would
open iwht the magic act, he did his music act, combined classical with
jazz and pop (the guy was great) then I would close with the Juggling
and hewould accompany me, standing alongside on my finale, wheich was
similar to the Cigar Box juggling (they just weren't boxes) and we used
to stop the shows with that bit as we had great byyplay with themusic
and jug.

Msg #4516  Dated  8:52:33  12-31-90  -> 4523
From: PETE BIRO
To:   ALL
Re:   MORE MOJO

Here's one for the Escapologists out there.
     We all know one of the most popular escape tricks is the
straight jacket. And there are many variaitions from a simple on
stage "I'm going to try to break Houdini's record time" etc., to
the upside down from a burning rope -- with danger being the
major ingredient.
     And some, like Harry Anderson, have made a reputation doing
comedy with the jacket.
     In the 1920s my dad was doing an acrobatic roller skating
act in vaudeville, and Houdini was doing the jacket to promote
his shows. During one season my dad was on the road with Olsen
and Johnson in "Hells-a-Poppin". Sounds great, but if you were a
vaudevillian you usually did you act and left, went to dinner,
lunch, whatever. But not when you worked with the looney Olsen
and Johnson. You had to stick around the theater and do "bits"
walk on gags, etc.
     Olsen and Johnson did a parody of Houdini, having a
performer attempt to escape from a straight jacket. The guy would
have trouble. He was in a cloth-frame cabinet. So they would say,
"we'll go on with the show and see how he's doing from time to
time." Well, every 10 minutes or so they would check. As the show
progressed the guys beard would grow! And he would never get out
of the jacket. The kicker was that when the show was over the
poor guy would be rolling around on the floor still trying to get
out in the LOBBY!!!!! And his beard would be about 8 feet long.
     So, I decided to try to think up an original gag with the
straight jacket.
     And here it is.
     This is for the onstage presentation. You do your usual
stuff, but one patter twist TO SET UP THE FINAL GAG, is you have
someone time it to see how long it takes to GET YOU INTO THE
JACKET. Then you say. "OK, it took 4 minutes (or whatever it
took) to get me into the jacket. Now, Houdini was NEVER able to
get out of a jacket under the time it took to get him into it.
Tonight I am going to try to do just that!"
     OK, you do your escape -- you are out of the jacket. You get
your applause and you run off stage. And in only a couple of
seconds you come back out for a second bow, right? Right. But
when you re-appear YOU ARE BACK IN THE STRAIGHT JACKET.
     Simple. Get a duplicate jacket. Put it all together just
like you were in it. Sew it together so arms, flaps, etc. will
all stay in place. Then at the back, (you will need some strong
scissors) cut right up the back, then sew some more loose pieces,
and sew (if you can get some matching canvas at a sail shop all
the better) about a 10-inch wide flap under one edge. Then affix
strips of VELCRO, and then attach VELCRO to the inside of the
opposite edge of the cut jacket.
     Now all you have to do is have a couple of backstage people
hold this open, and as you come off stage they wrap it around
you, the VELCRO holds it all in place and out you go for your
bows!!! And laughs!!!
     PS: just remembered one other bit Olsen and Johnson did with the
guy in the jacket. At intermission he was in the Mens Room, still in
the jacket, sitting there. HO HOOHOHOHOO HHHOO HHHOOHHHHOHOHOHo

Msg #4517  Dated  8:58:09  12-31-90  -> 4543
From: STEVE KUCERA
To:   MAX MAVEN (X)
Re:   COPPERFIELD

Max,

Thanks for the answer and your point is well taken.

My personal reason for the inquiry was not to add it to my act
as I don't think it would be right for me. I had an even worse
motivation, a burning desire to know how the damned thing works.
This is a bad habit that I will occasionally indulge in. I felt
it was best to ask where I might purchase the secret rather than
ask someone how it worked.


Msg #4518  Dated 13:30:58  12-31-90  -> 4823
From: RICK RUHL
To:   ALL
Re:   CAN I ASK A DEEP QUESTION

Guys:
What is the average fee for a show? I'm making up my pricae list and
would love some input (since I'm in Atlanta, I'm no competion to you
guys, just Dan 'The wizard' Garret. ).
If you'd like to put it in the private message, please do.
Thanks Again
Ricker

Msg #4519  Dated 14:55:51  12-31-90  4511 <--> 4526
From: DAVID LICHTMAN (Sysop)
To:   PETE BIRO (X)
Re:   RISING CARDS UH HUH

Yeah, autographs in pencil.  'Bout as good as business cards with your
name pencilled in.  There is an old story that might lead to some
appropriate thoughts on what makes a magician - Picasso was once in a
resturant when a lady came over with a napkin and a pencil and asked if
he would do a quick sketch for her.  "Madam," he said, "for a quick
sketch I'd have to charge you $7,000."  "Why so much," she said, "It'll
only take you a minute."  "No, Madam," Picasso said, "It took me 60
years."

Msg #4522  Dated 15:02:52  12-31-90
From: VINCENT HANCOCK
To:   DAVID LICHTMAN (SYSOP)
Re:   RICE BOWLS

Hah!

Msg #4523  Dated 15:03:50  12-31-90  4516 <-
From: DAVID LICHTMAN (Sysop)
To:   PETE BIRO (X)
Re:   MORE MOJO

Hells-A-Poppin was a great show!  Despite the need to stick around,
etc. it was a high point in the industry to be in that crew.  Your
jacket effect is good, Pete.  Do you know if they make small size ones
for my 2-year old to practice in?  Could keep him tied up for hours.

Msg #4524  Dated 15:08:46  12-31-90  -> 4525
From: DAVID LICHTMAN (Sysop)
To:   VINCENT HANCOCK (X)
Re:   RICE BOWLS

Thanks.  Apparently, you are the only one who likes my humor.  Oh,
well, I can always switch to a silent act.

Msg #4525  Dated 15:23:31  12-31-90  4524 <--> 4548
From: STAN LAKE
To:   DAVID LICHTMAN (SYSOP)
Re:   RICE BOWLS

Actually David, I was sitting here laughing at that wisecrack myself.
I just thought it a bit strange to write "Ha, Ha!", but there it is!

Msg #4526  Dated 15:28:56  12-31-90  -> 4538
From: STAN LAKE
To:   PETE BIRO (X)
Re:   RISING CARDS UH HUH

I thought I would never own a Svengali deck but now I think I have a
good reason to go get one.  Thanks Pete!

Msg #4527  Dated 15:34:08  12-31-90  -> 4547
From: STAN LAKE
To:   KEN HENSLEY (X)
Re:   BICYCLE DECKS

To tell you the truth, I don't know what a racer or fan back is.  Is it
the design on the back of the cards?

Msg #4528  Dated 15:38:58  12-31-90  -> 4533
From: STAN LAKE
To:   TABBY CRABB (X)
Re:   MAGICAL MUTTERINGS

Tabman, I'm going to print that one up and post it.  You are either a
quick and facile poet or you have a lot of time on your hands!  Thanks
for nice words to one and all.  Happy New Year!

Msg #4529  Dated 15:44:31  12-31-90  -> 4530
From: STAN LAKE
To:   PETE BIRO (X)
Re:   CRIDGE REVEALED!

It's a Deal!  Thanks many, many times and I hope your Raiders go all
the way!  Happy New Year!

Msg #4530  Dated 15:46:19  12-31-90  -> 4544
From: STAN LAKE
To:   WAYNE POWERS (X)
Re:   CRIDGE REVEALED!

Amen!  I hope we as a group can show a level of ethics uncommon in this
day and age.  It really would be great!  Happy New Year!

Msg #4531  Dated 16:06:58  12-31-90  -> 4549
From: STAN LAKE
To:   DAVID LICHTMAN
Re:   THANKS

I don't know if you ever get tired of hearing this, but I wanted to say
thank you very, very, much for putting together this wonderful bbs for
us all.  I have personally gotten not only a lot of knowledge but also
a ton of enjoyment.  Thank you very much and have a Happy New Year!

Msg #4532  Dated 17:00:02  12-31-90  -> 4561
From: TABBY CRABB
To:   RICK RUHL (X)
Re:   FRIENDS OF THE FAMOUS

Hi Rikker,
        No doubt you'll get some excellent advice from Pete Biro,
Max Maven, Jim Sisti and others here on the great computer
network so I'll offer my quarters worth too.
        Coupla things, Sammy Smith outa FLA has a spiral bound
book out called "Sell Your Act With Letters" which has some
pretty good examples ideas init. Also let me recommend the tape,
"Negotiating Higher Performance Fees" from Michael Ammar.
        Here's how I work. I'd call Dan Garrett and offer to buy
him lunch and talk straight with him. Since he's one of the top
pros in your area and if you feel he's your only competition or
you'd like to be his only competition he'd be the one who could
best tell you how to work your area. By getting together you can
avoid undercutting his fees. You'll probably find him to be
helpful and he may turn some work your way if he feels you can
handle it. I've found that entertainers can get much more done by
helping each other, and think of the great friends you'll make.
        It's not much, but give Garrett a call. If he hangs up on
you, then anything goes....if he's willing to talk, you're both
better off....nuff sed...tabman..



Msg #4533  Dated 17:04:56  12-31-90  4528 <--> 4559
From: TABBY CRABB
To:   STAN LAKE (X)
Re:   MAGICAL MUTTERINGS

What does facile mean?

Msg #4534  Dated 17:35:34  12-31-90  -> 4572
From: BURT CARPENTER
To:   GENO MUNARI (X)
Re:   GAMES OF CHANCE

Geno, thanks for your files SCAMS and BJQUEST. I found them very
interesting. On single deck "21" games don't the dealers shuffle after
nearly every hand to thwart counters? I'd be interested in your views
on betting at the craps tables. The most common advice I hear is to bet
the Pass and two Come bets. Also it seems that more oriental games are
becoming more popular in Las Vegas. Where can someone learn the rules
and proper play of games such as Pai Gow etc. ?

Msg #4535  Dated 17:37:07  12-31-90
From: BURT CARPENTER
To:   TABBY CRABB (X)
Re:   MUSCLE READING

I was reading over some old messages and saw you had an interest in
muscle reading and were looking for a book etc. I have a booklet called
"Contact Mind Reading-Expanded" by Dariel Fitzkee. I don't know if its
in print any longer but it gives a good overview of technique and
performance. According to the book when you get good you don't even
have to have physical contact with the subject. Contact through a stick
or even a chain is acceptable. I tried the methods for friends several
years back and was very sucessful at finding hidden objects in a room,
choosing a selected playing card that had been spread among others on
a table, etc. I never felt comfortable enough with it to perform in
public to a paying audience, only because I had not practiced enough.
I did find however that there is a GREAT difference in the
concentration and sending abilities of different subjects. Fitzkee
claims in the booklet to have been able to have an audience member push
a straight pin into a wall and through contact mind reading he was able
to (blindfolded) find the hole and place the pin in it. I've found it
works best for me if I am blindfolded or have my eyes closed as it
allows for better concentration.
 The most unique use of muscle reading I ever heard about was in an old
Alfred Hitchcock book of short stories. The police detective had a
murder suspect but could not prove that he did it. The detective told
the suspect that there had been an eyewitness. As the body had not yet
been found the detective suggested that he, the suspect, and the
unnammed witness (the magician)take a ride to where the body had been
hidden. They all cramped into the seat of a pickup truck and took a
very long twisting drive. The suspect eventually cracked and screamed
that no one could have followed him as he was very careful- looking for
tails, doubling back, and taking a very twisting route. When they
arrived at the site of the body the suspect had totally confessed. You
see there is always an eyewitness-THE MURDERER. In the story it was
explained that because of the cramped space in the truck that the
magician had been able to read the suspects muscle impulses and
therefore knew where to turn as they drove through the city. I wish I
could remember now the name of the story. It was published over 15
years ago.

Msg #4537  Dated 18:08:19  12-31-90  -> 4573
From: STEVE KUCERA
To:   GENO MUNARI (X)
Re:   BLACK JACK

Hi Geno.
I enjoyed your blackjack information immensely. I wonder if youwould
give your opinion of the John Patrick gambling systems. I sstudied him
for several months and was pretty impressed.

Msg #4538  Dated 18:33:08  12-31-90  -> 4575
From: MAX MAVEN
To:   WAYNE POWERS (X)
Re:   RISING CARDS UH HUH

Similar presentational idea, but different method.

Msg #4539  Dated 18:35:53  12-31-90  -> 4557
From: MAX MAVEN
To:   VINCENT HANCOCK (X)
Re:   FOCUS

Thanks for the kind words. It was a deliberate effort on my part to
have _all_ necessary sleights explained (other than the most basic such
as a Glide or Double Lift), so that every reader could work through the
material without coming up against a "brick wall" in the form of a
reference to a move they didn't know. Of late it seems that a number of
writers, particularly in the card area, presume that every reader has
a certain amount of prior knowledge, but this is not truly the case.
   Stephen Minch then came up with the notion of indexing the sleights,
which I think makes the book quite easy to use, particularly for those
who choose to read the material out of order.
   At any rate, glad you like it.

Msg #4540  Dated 18:39:17  12-31-90  4501 <--> 4550
From: MAX MAVEN
To:   DAVID LICHTMAN (SYSOP)
Re:   HEY THERE Y'ALL

Sorry; the shrinking bottle gag is not new. Remember, although the
Nielsen bottles are a recent development, Himber was selling quality
bottles in the 60s, and the Weller bottles go back decades earlier.

Msg #4541  Dated 18:43:59  12-31-90
From: MAX MAVEN
To:   PETE BIRO (X)
Re:   CRANK

I understand your feelings on the Johnsson crank gag, but I think the
average lay spectator takes the crank as a gag and dismisses the idea
of its being the actual motive power -- even though it is.
   After all, remember the classic story of Vernon and the wind-up
rising card deck...

Msg #4542  Dated 20:00:53  12-31-90  -> 4589
From: JONATHAN KAUFTHAL
To:   DARRELL MURPHY (X)
Re:   IBM SIGNATURE

I just got it today. Thanks a lot for all your help. Thanks
also for the thoughtful card. Have a happy holiday.
                 --Jonathan

Msg #4543  Dated 20:34:07  12-31-90  -> 4656
From: WAYNE POWERS
To:   PETE BIRO (X)
Re:   COPPERFIELD

Y'mean someone ELSE has been doin' my rabbit routine?????!!!!!!!

Msg #4544  Dated 20:35:48  12-31-90  4530 <-
From: WAYNE POWERS
To:   STAN LAKE (X)
Re:   CRIDGE REVEALED!

Yes indeed.  Happy New Year to you, too, Stan!

Msg #4546  Dated 20:52:52  12-31-90  -> 4551
From: WAYNE POWERS
To:   ALL
Re:   H.N.Y.

That's for Happy New Year, everyone!
As we begin this new decade, the final one of the century, I wish you
all the very best in health, wealth and happiness.
And now...
LET THE REAL MAGIC BEGIN!!!

Msg #4547  Dated 22:42:53  12-31-90  4527 <--> 4635
From: KEN HENSLEY
To:   STAN LAKE (X)
Re:   BICYCLE DECKS

Yes, the fan back has the bike in a fan on the back and racer backs
have only a small circle on the back containing a wheel..

Msg #4548  Dated  0:16:15  01-01-91  4525 <--> 4556
From: DAVID LICHTMAN (Sysop)
To:   STAN LAKE (X)
Re:   RICE BOWLS

Thanks!  I feel much better now -- at least TWO people, beside myself,
find one of my attempts at humor funny.  Happy New Year to you and
yours!

Msg #4549  Dated  0:17:28  01-01-91  4531 <-
From: DAVID LICHTMAN (Sysop)
To:   STAN LAKE (X)
Re:   THANKS

Thank you for the kind words.  In a few moments I'm uploading the first
of the Kaps' letters and an important announcement about something new,
so MAGIC! is already off to a good start for 1991!

Msg #4550  Dated  0:19:30  01-01-91  4540 <-
From: DAVID LICHTMAN (Sysop)
To:   MAX MAVEN (X)
Re:   HEY THERE Y'ALL

Oh, well...

Msg #4551  Dated  0:20:41  01-01-91  4546 <-
From: DAVID LICHTMAN (Sysop)
To:   WAYNE POWERS (X)
Re:   H.N.Y.

It's about to begin, Wayne -- The first Kaps letter will follow an
introduction...

Msg #4552  Dated  0:26:46  01-01-91
From: DAVID LICHTMAN (Sysop)
To:   ALL
Re:   KAPS INTRO - PT. 1 OF 2


                 AN ELECTRONIC PUBLISHING FIRST!

          PRIVATE FRED KAPS LETTERS TO APPEAR ON MAGIC!


Pete Biro will be publishing a set of private letters from FRED KAPS
here on MAGIC!.  Covering the period May, 1972 to April, 1980, the
letters will be published, in serial form, starting today, January
1, 1991.  These personal letters have been held by Pete for over ten
years.

"These letters provide a real insight into Fred Kaps," said Biro.
"They let us see magic and magicians through his eyes."

Those who know and who loved Fred Kaps and those who are familiar
with his work will immediately appreciate the magnitude of the
contribution that Pete is making to magic history through the
publication of these letters.

These letters were written to a personal friend and often include
Fred Kaps' comments on a wide variety of topics.  To place them in
perspective, Pete Biro has provided the following brief biography of
Fred Kaps.

"Fred Kaps has been described by many as 'The Best All-Around
Magical Performer Ever!'

"Big words?

"Not to anyone that ever saw Fred perform.  He was equally at home
on stage in front of magicians, for the lay public, or at the close
up table.

"His first fame came when as a young Dutch magician named 'Mystica,'
he appeared on the scene.  His theme then was the appearing cane.
Cane after cane kept appearing all throughout his act.  He would be
in the middle of something and ZAM another cane.  He just threw them
offstage.  It seemed he produced literally dozens and dozens of them.

"With this act, and others, Kaps was a THREE TIME FISM GRAND PRIX
WINNER.  That's nine years and no one came along to beat him!

"His real name was Bram Bongers.  I remember the first time I went
to his home in Utrecht.  I though maybe I had the wrong address,
seeing the name Bongers on the mail box.

"As a youngster Fred was intrigued by magic performed by his wife
Nellie's father.  Nellie was his childhood sweetheart and they
married, raising, two daughters, Barry and Gaby.  Gaby is a very
talented artist.

"Nellie is a great cook, and its amazing that Fred never became
overweight, as every time I visited there was incredible food to be
eaten!!!

"In the beginning Kaps was a student of Henk Vermeyden.  Vermeyden
was a strong teacher with great ideas and a longtime force in giving
Holland a great reputation for so many excellent magicians.  Richard
Ross, Ger Copper, Dick Koornwinder, The Niberco Bros., Jos Bema,
Eddy Taytelbaum, Phoa Yan Tiong, Marconic and many others have
achieved success from so small a nation.

"Kaps had two distinct types of stage performance.  The one
magicians are aware of was the sophisticated, skilled, silent
manipulation act.  His work with dollar bill productions (in place
of playing cards), gigantic coins, Smoking Thumb and his "signature"
presentation of the Salt Trick stopped show after show at magicians
conventions.  His style, his acting, his attitude, always
impeccable.

"There was another Fred Kaps.

"One that few knew about.  The comedian.  To see Fred perform at a
theater in his native Holland, speaking (yes, a talking act) with
his magic, Fred actually would have the audiences in stitches.  On
more than one occasion I was privileged to travel with him and watch
him knock audiences dead with his patter.  The tricks in that show?
Things many magicians would laugh at.  The Professor's Nightmare,
Sucker Silk, The Spot Card and the Chinese Sticks.  He would often
do two acts in a review show.  The first the silent manipulation
act, then in the second half he would do the patter act.

                                        (Continued)


Msg #4553  Dated  0:28:06  01-01-91
From: DAVID LICHTMAN (Sysop)
To:   ALL
Re:   KAPS INTRO - PT. 2 OF 2


"At the same time, being the consummate professional, Fred was also
a rabid amateur.  He never stopped learning new tricks, trying new
variations, and was always on the lookout for unique close-up magic.
Fred didn't have much in the way of inventiveness, he had a great
curiosity and a great global network of people that dreamed up stuff
and gave it to him knowing that it would be kept to him, and
especially that Fred would perform it so well that they were
thrilled to give him their ideas.

"He also had a very clever group of friends all over the world that
were capable of manufacturing special one-off items for him.

"One item in particular was a card sword.  Fred had a card sword
that was almost examinable.  The method was very different, and the
sword was made from a REAL sword of ancient origin.  It was a piece
of art in itself, even if it didn't do anything.  Fred also had a
special Cane built that would actually assist him in the production,
seemingly from nowhere, of a rabbit!  The rabbit's ears were "built"
into the cane and would pop in and out of view at his command.

"You all know of the vanishing birdcage, and in particular the
Martin method, used throughout vaudeville by Frakson?  Well Kaps had
a mechanic construct a huge Candelabra that worked in the same
manner.  If you are lucky you might have seen him do this on the Ed
Sullivan show.  He was on the very show the Beetles made their US
debut.  An historic show in many respects.

"Fred had another custom-made item, and one I had always admired.
It was a hand carved Miniature Skull, gaffed to do Bill Nord's great
trick, Skullocation.  Fred also had a variation on his famed
"Smoking Thumb" a version he had planned to market through Ken
Brooke.  But all the ripoff artists (particularly those that nicked
his cork routine) had him very upset.  So, he didn't market this.
Instead he gave it, and the Skull to me.  Recently, the marketable
item, I decided that a variant of this was too good to keep out of
the magic world.  I have not given it away, but I discussed the idea
and principle with Finn Jon.  Finn, I know Fred would have approved,
as they were very close friends, has added this to his professional
act and it is a hit.

"Kaps was a wonderful person as well.  A good family man, a
consummate professional.  He was interested in his art, not so much
in the money he might make.  Many times when I was on the spot
moneywise putting on a show or a one-day convention (as I used to
with Lloyd Jones in Oakland some 20 years ago) Fred was happy just
to be there and would work for whatever we could afford.

"I can still remember to this day the time he came to Oakland and
the rumor was he had a floating cork trick that no one could figure
out.  Larry Jennings flew up from Los Angeles, came in early,
grabbed a front row seat and waited for Kaps to do his lecture.
Fred saw Larry (they knew each other and were good friends) and did
the Cork right under his nose.  Larry was blown away!  (So was I and
everybody else!  At that time no one had a clue!!!)

"Fred left us shortly after the last letter came to my mailbox, in
July of 1980.

"He has been, and will continue to be missed.

"The letters from Fred will not teach you how to do magic.  They
will give you an insight to his way of thinking, and what he was
doing in the period covered -- May of 1972 through April of 1980.
In many cases I will add an Editorial Comment to clarify something
in the letter -- any of these comments will be found looking like
this, with DOUBLE angle/parentheses <>.  Otherwise the letters will be verbatim."

MAGIC! is extremely pleased to be the exclusive vehicle for the
release of these letters.

These letters and the related Fred Kaps material that he choses to
publish on MAGIC! will remain the personal property of Pete Biro,
Copyright 1991 by Pete Biro, All rights reserved.

Msg #4554  Dated  0:29:27  01-01-91
From: DAVID LICHTMAN (Sysop)
To:   ALL
Re:   KAPS LETTER #1


                LETTER #1 FROM FRED KAPS TO PETE BIRO

These letters and the related Fred Kaps material that he choses to
publish on MAGIC! will remain the personal property of Pete Biro,
Copyright 1991 by Pete Biro, All rights reserved.

NOTE: All letters are "verbatim" as written, remember English was
not Fred's native language! Any comments or clarifications by the
editor are enclosed in << >>.

                    <>

5 May 1972

Dear Pete,

     Indeed I use the bulb <




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